Archive as silent witness: A study of Jeprut annual exhibition
Abstract
This research examines the Archival Exhibition: 1st Annual Jeprut Permanen 2014, which showcases documentation and artefacts from the performance art of the Jeprut group in Bandung. This exhibition is interesting to analyze due to its unconventional presentation of archives, resembling contemporary art installations. Though detailed descriptions of the exhibition and analysis based on archival theory, this research aims to examine the status and display format of archives in the exhibition. The method used is descriptive qualitative of archive study. The results show that although the presentation resembles installation work, the exhibited objects still meet the criteria of archives as records of performance events. This exhibition expands the understanding of the form and presentation of archives in contemporary art, demonstrating that archives can function not only as historical documents but also as artistic mediums. The archival exhibition approach successfully makes archive the main object while presenting them in a visually appealing form, showing the potential of archives in the context of art galleries.
Keywords: archival exhibition, performance art, artefacts
Keywords
References
Cavaliero, A. (2016). Considering the Function of Repetition in Art and Art Therapy. Art Therapy Online, 7(1). https://doi.org/10.25602/GOLD.atol.v7i1.401
Djatiprambudi, D., & Sampurno, M. B. T. (2023). Art discourse in modern fine arts in Surabaya: An analytical historical research. Harmonia: Journal of Arts Research and Education, 23(2), 123–134. https://doi.org/10.15294/harmonia.v23i2.46302
Fadiansyah, M. H., Hujatnika, A., & Soetisna Putri, K. R. (2024). Analysis study of archive exhibition titled Mengingat-Ingat Sanento Yuliman (1941–1992) (2019). Albion: Journal of English Literature, Language, and Culture, 6(2), Article 10493. https://doi.org/10.33751/albion.v6i2.10493
Faisal, M. (2019). Medan Identitas Seniman Kontemporer: Repetisi dan Diferensiasi Artistik di Kota Makassar. Emik, 2(1), 1–20. Retrieved from https://ejournals.umma.ac.id/index.php/emik/article/view/117
Francksen, K., & Smith, S. (2024). Live performance in digital environments. International Journal of Performance Arts and Digital Media, 20(1), 1–4. https://doi.org/10.1080/14794713.2024.2358719
Grüny, C. (2025). Do It Again: Repetition, Reproduction, Reenactment in Performance and Music. Philosophies, 10(1), 17. https://doi.org/10.3390/philosophies10010017
Hera, T., Cahyono, A., Malarsi, M., & Sugiarto, E. (2023). Aesthetics and criticism of Gending Sriwijaya dance. International Conference on Science, Education, and Technology, 9(1), 758–767. Retrieved from https://proceeding.unnes.ac.id/ISET/ article/view/2507
Holledge, J. (2023). Virtual Praxis: Conducting Performance Research in Virtual Theatres. In K. Tam (Ed.), Performance Arts: Research in the Age of Digital Revolution (Vol. 4, pp. 47–61). Springer. https://doi.org/10.1007/978-981-19-9213-1_3
Mazlan, C. A. N., Abdullah, M. H., & Hashim, N. S. N. (2025). Discovery the intersection of performing arts in cultural tourism: A scoping review. Discover Sustainability, 6, 14. https://doi.org/10.1007/s43621-025-00805-w
Mingyue, D., & Shaw Chiang, W. (2022). Innovative illustration design for the cultural content and emotional elements of Sichuan opera arts for China’s Gen Z. Harmonia: Journal of Arts Research and Education, 24(2), 101–112. https://doi.org/10.15294/harmonia.v24i2.12999
Nurveda, A., Nursalim, M., & Masitoh, S. (2023). Aesthetics and artificial intelligence: Impact and criticism of art. Education Achievement: Journal of Science and Research, 4(3), 45–58. https://doi.org/10.51178/jsr.v4i3.1667
Pradipta, et al. (2020). “AESCIART: International Conference on Aesthetics and the Sciences of Arts” dalam When Archives Presented in the Art Gallery (hlm. 87–88).
Pradiptan & Rizky. (2015). Jeprut Permanen. Bandung: Yayasan Selasar Sunaryo. Tenti, G. (2025). Performance Art in the Age of Extinction. Philosophies, 10(1), 13. https://doi.org/10.3390/philosophies10010013
Zaeri, P., & Roozafzai, Z. S. (2024). Technology-enhanced art and sustainable discourse practices. International Journal of Culture and Art Studies, 8(2), 109–120. https://doi.org/10.32734/ijcas.v8i2.16654
Zuhdi, H., Damajanti, I., & Adriati, I. (2024). Discourse on the image of virtual reality graffiti art: From public space to virtual space. Albion: Journal of English Literature, Language, and Culture, 6(2), Article 10525. https://doi.org/10.33751/albion.v6i2.10525
DOI: 10.33751/albion.v7i1.10533
Refbacks
- There are currently no refbacks.
Copyright (c) 2025 Journal Albion : Journal of English Literature, Language, and Culture