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| Issue |
Title |
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| Vol 4, No 2 (2022): Volume 4 Number 2 2022 |
MIRRORING OF CONSUMPTIVE BEHAVIOR IN THE SPEECH ACTS OF THE MAIN CHARACTER IN THE FILM CONFESSION OF A SHOPAHOLIC (2009) |
Abstract
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Amira Nadhira, Henny Suharyati, Dyah Kristyowati |
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| Vol 1, No 1 (2019): Volume 1 nomor 1 Januari Tahun 2019 |
MODERN SLAVERY IN THE MEMOIR HIDDEN GIRL BY SYIMA HALL: A REVIEW ON THE MAIN CHARACTER |
Abstract
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Mutiara Magdalena, Agnes Setyowati H, Ni Made Widisanti S |
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| Vol 4, No 2 (2022): Volume 4 Number 2 2022 |
PERLOCUTIONARY ACT OF THE CENTRAL CHARACTER UTTERANCES THAT SIGNIFIES GENDER DISCRIMINATION IN ANNE WITH AN E SERIES SEASON ONE (2017) |
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Sherin Julya Andini Nova, Sari Rejeki, Agnes Setyowati |
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| Vol 2, No 1 (2020): Vol. 2 No. 1 (2020) |
PERSONALITY DYNAMICS OF LUCAS IN THE NOVEL MIRACLE ON 5TH AVENUE BY SARAH MORGAN |
Abstract
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Ai Asmanah, Henny Suharyati, Shita Dewi Ratih P |
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| Vol 3, No 2 (2021): Volume 3 Number 2 2021 |
POSITIVE FUNCTION OF CONFLICT ON THE MAIN CHARACTER IN THE MOVIE AMADEUS (1984) |
Abstract
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Gilang Pamungkas |
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| Vol 3, No 1 (2021): Volume 3 Number 1 2021 |
PRAGMATIC ANALYSIS OF TEACHER UTTERANCES IN A VIRTUAL CLASSROOM |
Abstract
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Sari Rejeki |
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| Vol 4, No 2 (2022): Volume 4 Number 2 2022 |
PRESUPPOSITION AND COMMON GROUND IN GRETA THUNBERGS SPEECH ON TACKLING CLIMATE CHANGE AT THE YOUTH4CLIMATE CONFERENCE 2021 |
Abstract
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Hilwa Mubarak, Sari Rejeki, Agnes Setyowati |
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| Vol 2, No 2 (2020): Volume 2 Number 2 2020 |
PRESUPPOSITION AND COMMON GROUND OF THE CHARACTERS IN THE MOVIE GIFTED (2017) |
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Fauza Zuryatina, Sari Rejeki, Maulana Taufik |
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| Vol 2, No 2 (2020): Volume 2 Number 2 2020 |
REFFERRING EXPRESSION AND HOW IT POTRAYS 18 OF INDONESIA TOP TOURIST DESTINATION 2018 |
Abstract
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Sari Rejeki |
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| Vol 5, No 1 (2023): Volume 5 Number 1 2023 |
SELF ACCEPTANCE OF THE MAIN CHARACTER IN MATT HAIG'S MIDNIGHT LIBRARY |
Abstract
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Mutiara Putri, Ni Made Widisanti, Shita Dewi Ratih P |
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| Vol 3, No 2 (2021): Volume 3 Number 2 2021 |
SEMANTIC ANALYSIS; JARGON AND WORDS WITH SPECIFIC MEANING USED IN MOTOGP |
Abstract
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Thifal Fayi, Sari Rejeki, Ni Made Widisanti |
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| Vol 1, No 2 (2019): Vol 1 No 2 Tahun 2019 |
SEXUAL SADISM DISORDER AS A FORM OF PSYCHOPATHIC PERSONALITY ON THE MAIN CHARACTER IN THE NOVEL FIFTY SHADES DARKER BY E.L. JAMES |
Abstract
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Monica Argitha Sakthiyani, Shita Dewi Ratih, Ni Made Widisanti S |
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| Vol 3, No 1 (2021): Volume 3 Number 1 2021 |
SLAVERY SHOWN THROUGH THE PRESUPPOSITIONS OF THE CHARACTERS IN THE MOVIE HARRIET (2019) |
Abstract
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Baiq Intan Pertiwi, Ni Made Widisanti S, Sari Rejeki |
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| Vol 2, No 1 (2020): Vol. 2 No. 1 (2020) |
SOCIAL DILEMMA OF THE MAIN CHARACTER IN THE NOVEL THE HEIR BY KIERA CASS |
Abstract
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Ryan Adi Nugroho, Henny Suharyati, Ade S Natawiria |
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| Vol 2, No 1 (2020): Vol. 2 No. 1 (2020) |
SOCIAL DISCRIMINATION AS PART OF THE PROCESS OF FORMING THE MAIN CHARACTERS SOCIAL IDENTITY IN THE NOVEL WONDER BY R.J. PALACIO |
Abstract
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Meilyana Indi Rananda, Agnes Setyowati H, Ni Made Widisanti |
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| Vol 3, No 1 (2021): Volume 3 Number 1 2021 |
STORY FORMULA AND FEMINIST IDEOLOGY IN EAT PRAY LOVE NOVEL |
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Dyah Kristyowati |
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| Vol 5, No 2 (2023): Volume 5 Number 2 2023 |
STRATEGIES FOR MULTICULTURAL COMMUNICATION: A STUDY OF INDONESIAN POSTGRADUATE STUDENTS |
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Mia Rahmawati Yuwita |
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| Vol 3, No 2 (2021): Volume 3 Number 2 2021 |
Sundanese Values and Ideology on Film Rocker Balik Kampung†(2018) by Uli Rahman |
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Jordy Satria Widodo |
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| Vol 5, No 1 (2023): Volume 5 Number 1 2023 |
THE ABILITY OF SECOND SEMESTER STUDENTS OF ENGLISH LITERATURE STUDY PROGAM IN IDENTIFYING NOUN AND VERBS IN SHORT STORY "THE STORY OF GOLDILOCKS AND THE THREE BEARS" AND "A PLATE OF HOT RICE" |
Abstract
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Aila Maisya, Nia Andriani, Oktavia Eka N, Wina Rahmawati, Merry Rullyanti |
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| Vol 5, No 1 (2023): Volume 5 Number 1 2023 |
THE ANALYZING STUDENTS’ BODY LANGUAGE WHILE STUDYING IN THE CLASSROOM |
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Loisti Anggraini, Vina Aryanti, Yepi Elyanti, Humaira Rani |
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| Vol 5, No 1 (2023): Volume 5 Number 1 2023 |
THE CENTRAL CHARACTER’S SOCIAL BACKGROUND AND ITS RELATION TO DOMESTIC CONFLICT IN KEVIN KWAN’S RICH PEOPLE PROBLEM |
Abstract
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Sri Nida Aristi, Shita Dewi Ratih P, Ni Made Widisanti |
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| Vol 4, No 2 (2022): Volume 4 Number 2 2022 |
THE CHARACTERIZATION OF BYRONIC HERO IN THE MAIN CHARACTER OF THE NOVEL LOKI: WHERE MISCHIEF LIES BY MACKENZI LEE: A MICHAEL RIFFATERRES SEMIOTIC ANALYISIS |
Abstract
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Meitha Charissa Amalia Putri, Ni Made Widisanti, Shita Dewi Ratih P |
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| Vol 1, No 2 (2019): Vol 1 No 2 Tahun 2019 |
THE COMPONENTS OF SPEECH EVENTS AND THE USAGE OF LANGUAGE VARIATIONS ON THE CENTRAL CHARACTER IN THE FILM THE GREATEST SHOWMAN |
Abstract
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Ardhi Sasongko, Henny Suharyati, Sari Rejeki |
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| Vol 3, No 2 (2021): Volume 3 Number 2 2021 |
THE CORRELATION BETWEEN ELEMENTS OF RACISM AND THE SPADES CARD GAMES IN TERRANCE HAYES' POEM "WE SHOULD MAKE A DOCUMENTARY ABOUT SPADES" |
Abstract
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Danar Arief Amarullah, Shita Dewi Ratih, Ni Made Widisanti |
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| Vol 5, No 2 (2023): Volume 5 Number 2 2023 |
THE DISCOURSE OF POLYGAMY IN THE FILM BERBAGI SUAMI (LOVE FOR SHARE) 2006 |
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Ni Made Widisanti Swetasurya |
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