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| Issue |
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| Vol 4, No 1 (2022): Volume 4 Number 1 2022 |
A Clash of Social Classes in Margarita Morris Goodbye to Budapest (2019) |
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Dimas Hendra Pramudya |
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| Vol 2, No 2 (2020): Volume 2 Number 2 2020 |
ACTS OF TERROR COMMITTED BY THE ANTAGONIST IN NICHOLAS SPARKSS SEE ME |
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Batmani Batmani, Shita Dewi Ratih P, Ni Made Widisanti S |
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| Vol 1, No 2 (2019): Vol 1 No 2 Tahun 2019 |
AN ANALYSIS OF FEATURES AND FUNCTIONS IN WOMENS SPEECH IN THE TALKSHOW UNITED STATES OF WOMEN SUMMIT |
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Alika Putri Badari, Agnes Setyowati H, Ni Made Widisanti S |
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| Vol 4, No 1 (2022): Volume 4 Number 1 2022 |
AN ANALYSIS OF WORD STRESS IN THE NEWS READING VIDEOS OF PUBLIC RELATIONS STUDENTS |
Abstract
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Maria Ulfah, Sari Rejeki, Henny Suharyati |
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| Vol 1, No 2 (2019): Vol 1 No 2 Tahun 2019 |
AN ANALYSIS ON ADJECTIVE CLAUSE IN DANIEL DEFOES ROBINSON CRUSOE |
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Muhammad Ramadhan, Ni Made Widisanti S, Sari Rejeki |
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| Vol 2, No 1 (2020): Vol. 2 No. 1 (2020) |
AN ANALYSIS ON THE VIOLATION OF COOPERATIVE PRINCIPLES IN THE FILM AVENGERS |
Abstract
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Deyana Nika Wildan, Sari Rejeki, M Taufik |
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| Vol 1, No 2 (2019): Vol 1 No 2 Tahun 2019 |
ANXIETY ASPECT OF THE MAIN CHARACTER IN THE NOVEL IF I WAS YOUR GIRL BY MEREDITH RUSSO |
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Janita Rahma Mayestika, Henny Suharyati, Agnes Setyowati H |
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| Vol 2, No 2 (2020): Volume 2 Number 2 2020 |
CHANGES IN THE LIFE OF THE MAIN CHARACTER AS A PERSON WITH ASPERGERS SYNDROME IN KATHRYN ERSKINES MOCKINGBIRD |
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Anisa Asri, Ni Made Widisanti S, Tetty Yukesti |
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| Vol 4, No 1 (2022): Volume 4 Number 1 2022 |
CHARACTER CHANGE OF THE MAIN CHARACTER IN OLIVER BOWDENS ASSASSINS CREED: FORSAKEN |
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Saskya Rohima Anggraeni, Shita Dewi Ratih, Agnes Setyowati |
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| Vol 5, No 2 (2023): Volume 5 Number 2 2023 |
Critical Discourse Analysis of News Headlines on Syafri Harto’s Sexual Harassment Case |
Abstract
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Jordy Satria Widodo |
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| Vol 2, No 2 (2020): Volume 2 Number 2 2020 |
CULTURAL CONFLICT EXPERIENCED BY THE CENTRAL CHARACTER IN THE NOVEL CRAZY RICH ASIAN BY KEVIN KWAN |
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Eva Monica, Ni Made Widisanti S, Sari Rejeki |
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| Vol 4, No 1 (2022): Volume 4 Number 1 2022 |
DERIVATIONAL AND INFLECTIONAL AFFIXES IN THE SONG LYRICS ON THE PLAYLIST TODAYS TOP HITS ON SPOTIFY |
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Hariman Rahmadani, Ni Made Widisanti, Sari Rejeki |
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| Vol 5, No 1 (2023): Volume 5 Number 1 2023 |
Discourse Markers in Conversational Storytelling and Its Treatment in the Indonesian version of Selected Articles in Koreana Magazine |
Abstract
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Nur Utami Sari’at Kurniati |
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| Vol 5, No 2 (2023): Volume 5 Number 2 2023 |
ECRANIZATION ANALYSIS OF THE NOVEL INTO THE MOVIE “ALLEGIANT” BY VERONICA ROTH |
Abstract
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anisa ulkhusnah |
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| Vol 4, No 2 (2022): Volume 4 Number 2 2022 |
EGO DEFENSE MECHANISM OF THE MAIN CHARACTER IN NEIL GAIMANS THE OCEAN AT THE END OF THE LANE |
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Malva Adinia Azahra, Agnes Setyowati, Ni Made Widisanti |
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| Vol 1, No 1 (2019): Volume 1 nomor 1 Januari Tahun 2019 |
FEMALE MASCULINITY IN THE NOVEL THE SPY BY PAULO COELHO: A REVIEW ON THE MAIN CHARACTER |
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Dewi Rahayu, Ni Made Widisanti S, Tetty Yukesti |
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| Vol 3, No 2 (2021): Volume 3 Number 2 2021 |
GENDER DISCRIMINATION AGAINST WOMEN IN BINA SHAHS BEFORE SHE SLEEPS: A REVIEW ON THE MAIN CHARACTER |
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Firliana Alvira, Ni Made Widisanti S, Agnes Setyowati |
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| Vol 5, No 2 (2023): Volume 5 Number 2 2023 |
GENDER INJUSTICE TOWARDS THE MAIN CHARACTER IN THE NOVEL A SPARK OF LIGHT BY JODI PICOULT |
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Sulistya Afriliani |
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| Vol 4, No 2 (2022): Volume 4 Number 2 2022 |
GENDER STEREOTYPES OF A WIFE CHARACTER IN A JAVANESE FILM MUDIK (2020) |
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Jordy Satria Widodo, Aquarini Priyatna, Raden Muhammad Mulyadi |
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| Vol 1, No 2 (2019): Vol 1 No 2 Tahun 2019 |
Gender-Based Violence Againsts The Female Main Character in Colleen Hoovers It Ends With Us |
Abstract
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Taria Ayu Lestari, Agnes Setyowati, Tetty Yukesti |
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| Vol 5, No 1 (2023): Volume 5 Number 1 2023 |
GRAMMATICAL ERROR FOUND IN INDONESIAN-ENGLISH TRANSLATION OF DISPLAY OBJECT LABELS IN TAMAN PINTAR MUSEUM YOGYAKARTA |
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Anindia Ayu Rahmawati |
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| Vol 5, No 2 (2023): Volume 5 Number 2 2023 |
IDEOLOGY OF THE MAIYAH JAMPARING ASIH BANDUNG COMMUNITY AND ITS CULTURAL EXPRESSIONS |
Abstract
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Fauzan Anwar Zunaedi |
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| Vol 3, No 1 (2021): Volume 3 Number 1 2021 |
LANGUAGE VARIATION OF THE MAIN CHARACTER IN THE MOVIE BLACK PANTHER 2018 |
Abstract
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Adhien Diani, Sari Rejeki, Maulana Taufik |
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| Vol 4, No 2 (2022): Volume 4 Number 2 2022 |
LEXICAL AMBIGUITY AS A SOURCE OF HUMOUR: THE CASE OF MEMES ON INSTAGRAM |
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Didan Haryadi, Sari Rejeki, Agnes Setyowati |
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| Vol 1, No 1 (2019): Volume 1 nomor 1 Januari Tahun 2019 |
LEXICAL AND CONTEXTUAL MEANINGS CONTAINED IN RELIGIOUS SONG LYRICS AT QUIVER CENTER ACADEMY (QCA) |
Abstract
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Fitriani Ponno, Sari Rejeki, Maulana Taufik |
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